Accepted Papers for WASPAA’03

Regular papers

A COMPARISON BETWEEN MULTI-CHANNEL AUDIO EQUALIZATION FILTERS USING WARPING
Sunil Bharitkar, Chris Kyriakakis
 
A COMPARISON OF DIFFERENTIAL SCHEMES FOR LOW-RATE SINUSOIDAL AUDIO CODING
Jesper Jensen and Richard Heusdens
 
A FIXED-COST VARIABLE-LENGTH AURALIZATION FILTER MODEL UTILIZING THE PRECEDENCE EFFECT
Huseyin Hacihabiboglu
 
A FRAMEWORK FOR PARAMETRIC SINGING VOICE ANALYSIS/SYNTHESIS
Youngmoo E. Kim
 
A GABOR REGRESSION SCHEME FOR AUDIO SIGNAL ANALYSIS
Patrick J. Wolfe and Simon J. Godsill
 
A MULTIRATE APPROACH TO PHYSICAL MODELING SYNTHESIS USING THE FUNCTIONAL TRANSFORMATION METHOD
Lutz Trautmann Vesa Välimäki
 
A NEW FAST-CONVERGING METHOD FOR BLIND SOURCE SEPARATION OF SPEECH SIGNALS IN ACOUSTIC ENVIRONMENTS
Kamran Rahbar and James P. Reilly
 
ACOUSTIC ECHO CANCELLATION WITH POST-FILTERING IN SUBBAND
Xiaojian Lu and Benoit Champagne
 
AN INTEGRATED REAL-TIME SYSTEM FOR IMMERSIVE AUDIO APPLICATIONS
Heinz Teutsch, Sascha Spors, Wolfgang Herbordt, Walter Kellermann, Rudolf Rabenstein
 
AN ITERATIVE FILTERBANK APPROACH FOR EXTRACTING SINUSOIDAL PARAMETERS FROM QUASI-HARMONIC SOUNDS
Harvey D. Thornburg Randal J. Leistikow
 
ANALYSIS METHOD TO APPROXIMATE THE SPECTRAL DENSITY OF NOISES
Pierre HANNA Myriam Desainte-Catherine
 
ANALYSIS OF DC EFFECTS ON HRTF’S MEASURED WITH GOLAY CODES: DC BLOCKING GOLAY CODES
Corey I Cheng, Gregory H. Wakefield
 
AUDIO SEGMENTATION BY FEATURE-SPACE CLUSTERING USING LINEAR DISCRIMINANT ANALYSIS AND DYNAMIC PROGRAMMING
Michael M Goodwin Jean Laroche
 
AUDITORY SIGNAL PROCESSING AS A BASIS FOR SPEAKER RECOGNITION
Thomas F. Quatieri, Nicolas Malyska, and Douglas Sturim
 
BEAT ESTIMATION ON THE BEAT
Kristoffer Jensen and Tue Haste Andersen
 
BEAT TRACKING WITH PARTICLE FILTERING ALGORITHMS
Stephen Hainsworth Malcolm Macleod
 
BINAURAL POSITIONING SYSTEM FOR WEARABLE AUGMENTED REALITY AUDIO
Miikka Tikander, Aki Härmä, and Matti Karjalainen
 
BLIND IDENTIFICATION OF HAMMERSTEIN NONLINEAR DISTORTION MODELS
Guillaume Picard, Olivier Cappé
 
CODING OF SUNG QUERIES FOR MUSIC INFORMATION RETRIEVAL
Norman H. Adams, Mark A. Bartsch, Gregory H. Wakefield
 
COMPARING THE ORDER OF A POLYNOMIAL PHASE MODEL FOR THE SYNTHESIS OF QUASI-HARMONIC AUDIO SIGNALS
Laurent Girin, Sylvain Marchand, Joseph di Martino, Axel Röbel, Geoffroy Peeters
 
DESIGN OF A MICROPHONE ARRAY FOR HEADSETS
Søren Laugesen Karsten Bo Rasmussen Torben Christiansen
 
DIGITAL WAVEGUIDE MESH MODELLING OF THE VOCAL TRACT ACOUSTICS
Jack Mullen Dr Damian Murphy Prof. David Howard
 
DISCRETE-TIME SIMULATION OF AIR-FLOW CUT-OFF IN PRESSURE-CONTROLLED VALVES
Tamara Smyth, Jonathan Abel, Julius O.Smith
 
DISCRIMINATION OF SUSTAINED MUSICAL INSTRUMENT SOUNDS RESYNTHESIZED WITH RANDOMLY ALTERED SPECTRA
Andrew B. Horner and James W. Beauchamp
 
DISTRIBUTED CODING FOR WIRELESS AUDIO SENSORS
Abhik Majumdar, Kannan Ramchandran, and Igor Kozintsev
 
EFFICIENT POLE-ZERO MODELING OF RESONANT SYSTEMS USING COMPLEX WARPING AND KAUTZ FILTER TECHNIQUES
Tuomas Paatero
 
FACTORS IN AUTOMATIC MUSICAL GENRE CLASSIFICATION OF AUDIO SIGNALS
Tao Li George Tzanetakis
 
FREQUENCY RESPONSE MASKING APPROACH FOR DESIGNING FILTER BANKS WITH RATIONAL SAMPLING FACTORS
Ching-Shun Lin and Chris Kyriakakis
 
FREQUENCY WARPED BURG'S METHOD FOR AR-MODELING
Kari Roth, Ismo Kauppinen, Paulo A. A. Esquef and Vesa Välimäki
 
FREQUENCY-DOMAIN GSC BEAMFORMING WITH ENHANCED ROBUSTNESS AGAINST MISTRACKING
Zhaorong Hou, Ying Jia and Minerva Yeung
 
FREQUENCY-DOMAIN SOURCE IDENTIFICATION AND MANIPULATION IN STEREO MIXES FOR ENHANCEMENT, SUPPRESSION AND RE-PANNING APPLICATIONS
Carlos Avendano
 
GENERATIVE MODEL BASED POLYPHONIC MUSIC TRANSCRIPTION
Ali Taylan Cemgil Bert Kappen David Barber
 
HOW SIMILAR DO SONGS SOUND? TOWARDS MODELING HUMAN PERCEPTION OF MUSICAL SIMILARITY
Juergen Herre, Eric Allamanche, Christian Ertel
 
HRTF PERSONALIZATION USING ANTHROPOMETRIC MEASUREMENTS
Dmitry N. Zotkin, Jane Hwang, Ramani Duraiswami, Larry S. Davis
 
IMPLEMENTATION OF A REAL-TIME PARTITIONED CONVOLUTION ON DSP BOARD
Enrico Armelloni, Christian Giottoli, Angelo Farina
 
INDIVIDUALIZATION IN SPATIAL-AUDIO CODING
Craig Jin, Andre van Schaik, Virginia Best, Simon Carlile
 
LIE ANALYSIS OF THE WEBSTER HORN EQUATION WITH APPLICATION TO AUDIO OBJECT RECOGNITION
Tania M Barrett, Ian S Burnett, Jason Lukasiak
 
LOUDSPEAKER LOCALIZATION USING B-FORMAT RECORDINGS
Banu Gunel
 
METHODS FOR SIMULATING STRING COLLISIONS WITH RIGID SPATIAL OBSTACLES
Arvindh Krishnaswamy Julius O. Smith
 
MIXED PHYSICAL MODELING: DWG + FDTD + WDF
Matti Karjalainen
 
MULTI-CHANNEL SOURCE SEPARATION BY FACTORIAL HMMS
Manuel J. Reyes-Gomez Bhiksha Raj Daniel P. W. Ellis.
 
MUSICAL TEMPO ESTIMATION USING NOISE SUBSPACE PROJECTIONS
Miguel Alonso, Roland Badeau, Bertrand David and Gaël Richard
 
NEURAL REPRESENTATION OF SOURCE DIRECTION IN REVERBERANT SPACE
Barbara Shinn-Cunningham Kosuke Kawakyu
 
NON-NEGATIVE MATRIX FACTORIZATION FOR POLYPHONIC MUSIC TRANSCRIPTION
Paris Smaragdis and Judith C. Brown
 
PERCEPTUAL PROCESSING OF DIRECTIONAL ROOM RESPONSES FOR MULTICHANNEL LOUDSPEAKER REPRODUCTION
Juha Merimaa and Ville Pulkki
 
 
POLYPHONIC AUDIO MATCHING AND ALIGNMENT FOR MUSIC RETRIEVAL
Ning Hu, Roger B. Dannenberg and George Tzanetakis
 
REJECTION PHENOMENA IN INTER-SIGNAL VOICE TRANSPLANTATIONS
Werner Verhelst and Henk Brouckxon
 
RESIDUAL NOISE IN THE AGGREGATE BEAMFORMER
David I. Havelock
 
SEMANTIC RANK REDUCTION OF MUSIC AUDIO
Brian Whitman
 
SEPARATION OF EXCITATION SOURCE AND VOCAL TRACT TRANSFER FUNCTION VIA AN MVDR ANALYSIS OF SPEECH
Alfiero Santarelli, Maurizio Omologo, Luca Armani
 
SEPARATION OF HARMONIC INSTRUMENTS WITH OVERLAPPING PARTIALS IN MULTI-CHANNEL MIXTURES
Harald Viste Gianpaolo Evangelista
 
SPARSIFYING SUBBAND DECOMPOSITIONS
M. Davies and L. Daudet
 
SUBBAND GENERALIZED SIDELOBE CANCELLER - A CONSTRAINED REGION APPROACH
Siow Yong Low, Sven Nordholm, Nedelko Grbic
 
SUMMARIZING POPULAR MUSIC VIA STRUCTURAL SIMILARITY ANALYSIS
Matthew Cooper Jonathan Foote
 
THE EFFECT OF MICROPHONE PLACEMENT ON LOCALIZATION ACCURACY WITH ELECTRONIC PASS-THROUGH EARPLUGS
Douglas S. Brungart, Alexander J. Kordik, Cynthia S. Eades, and Brian D. Simpson
 
TIME-SCALE MODIFICATION OF MUSIC USING A SUBBAND APPROACH BASED ON THE BARK SCALE
David Dorran and Robert Lawlor
 
TOWARDS A BETTER BALANCE IN SINUSOIDAL PLUS STOCHASTIC REPRESENTATION
Nicolle H. van Schijndel, Mireia G\'omez, and Richard Heusdens
 
USING DSP-BASED PARAMETRIC PHYSICAL SYNTHESIS MODELS TO STUDY HUMAN SOUND PERCEPTION
Perry R. Cook and Stephen Lakatos

Poster presentations (ICASSP’03 Papers)

 
ACOUSTIC BEAMFORMING EXPLOITING DIRECTIONALITY OF HUMAN SPEECH SOURCES
Terence Betlehem Robert Williamson
 
ADAPTIVE ESPRIT ALGORITHM BASED ON THE PAST SUBSPACE TRACKER
Roland BADEAU, Gaël RICHARD, Bertrand DAVID
 
APPLICATION OF PITCH TRACKING TO SOUTH INDIAN CLASSICAL MUSIC
Arvindh Krishnaswamy
 
AUDIO-BASED CONTEXT AWARENESS – ACOUSTIC MODELING AND PERCEPTUAL EVALUATION
Antti Eronen, Juha Tuomi, Anssi Klapuri, Seppo Fagerlund, Timo Sorsa, Gaëtan Lorho, Jyri Huopaniemi
 
A CHORUS-SECTION DETECTING METHOD FOR MUSICAL AUDIO SIGNALS
Masataka Goto
 
A COHERENT MULTIPLE FREQUENCY ESTIMATOR AND ITS APPLICATIONS IN SYNTHESIS-ANALYSIS AUDIO WATERMARKING
Yi-Wen Liu and Julius O. Smith
 
A MISSING FEATURE APPROACH TO INSTRUMENT IDENTIFICATION IN POLYPHONIC MUSIC
Jana Eggink and Guy J. Brown
 
A PERCEPTUALLY BALANCED LOSS FUNCTION FOR SHORT-TIME SPECTRAL AMPLITUDE ESTIMATION
Patrick J. Wolfe and Simon J. Godsill
 
EXPERIMENTAL COMPARISON OF PARTICLE FILTERING ALGORITHMS FOR ACOUSTIC SOURCE LOCALIZATION IN A REVERBERANT ROOM
Eric A. Lehmann Darren B. Ward Robert C. Williamson

FAST CONVOLUTIVE BLIND SPEECH SEPARATION VIA SUBBAND ADAPTATION
Francois Duplessis-Beaulieu and Benoit Champagne

FINE GRAIN SCALABLE PERCEPTUAL AND LOSSLESS AUDIO CODING BASED ON INTMDCT
Ralf Geiger, Juergen Herre, Gerald Schuller, Thomas Sporer

MULTI-MICROPHONE RESIDUAL ECHO ESTIMATION
Markus Kallinger, Joerg Bitzer, Karl-Dirk Kammeyer

ONSET - BASED SEGREGATION OF STOP CONSONANTS
Guoning Hu and DeLiang Wang

ON PSYCHOACOUSTIC NOISE SHAPING FOR AUDIO REQUANTIZATION
Dreten De Koning and Werner Verhelst
 
ON THE IMPORTANCE OF EXACT SYNCHRONIZATION FOR DISTRIBUTED AUDIO SIGNAL PROCESSING
Rainer Lienhart, Igor Kozintsev, Minerva Yeung, Stefan Wehr
 
PHASE-BASED NOTE ONSET DETECTION FOR MUSIC SIGNALS
Juan P. Bello and Mark Sandler

SCALABLE NON-SQUARE BLIND SOURCE SEPARATION IN THE PRESENCE OF NOISE
Radu Balan, Justinian Rosca, Scott Rickard

SOUND TEXTURE MODELLING WITH LINEAR PREDICTION IN BOTH TIME AND FREQUENCY DOMAINS
Marios Athineos Daniel P.W. Ellis
 
STRUCTURAL ANALYSIS OF MUSICAL SIGNALS VIA PATTERN MATCHING
Wei Chai
 
SUB-CHANNEL BELOW THE PERCEPTUAL THRESHOLD IN AUDIO
Heping Ding

THE PLENACOUSTIC FUNCTION, SAMPLING AND RECONSTRUCTION
Thibaut Ajdler, Martin Vetterli

TOWARD INTELLIGENT SENSORS - RELIABILITY FOR TIME DELAY BASED DIRECTION OF ARRIVAL ESTIMATES
Tuomo Pirinen, Pasi Pertilä and Ari Visa